Analysis of Fonts for Our Opening Sequence
With these title sequences The Terminator allows the font to
add a sense of seriousness and drama to the sci fi film. The font is bold and
contrasts with the blackness to the background, allowing a stark contrast to be
visible within the opening shot. James Cameron’s name is also important as it
can attract.
At 16 seconds the shot fades in to display a baron wasteland
with the words Los Angeles 2029. The use of framing in this shot allows the
words to be clearly notified in the bottom of the shot. As part of our short film I would
like to incorporate this idea by using a white or grey font that will contrast with the
blue lighting and orange candle light to bring attention to the actors and the
crew.
At 57 seconds a paragraph of text appears containing
information relevant to the narrative. The text is then placed in the centre of
the frame allowing use to understand the importance of what the director is
trying to put across. The native is told within this paragraph so it becomes the
main focus of attention, whereas the previous shot did not retain this idea. The
director has also decided to allow the shot in the background to continue its
movement to add excitement and suspense to the audience while hey read the
text.
The main actor is introduced as the title ‘Terminator’ is
passed in the background this adds depth and intrigue to the opening sequence
because we are now having to focus on the names as well as the narrative. The
use of blue also ties into the Sci-Fi realm which we wish to incorporate into
our film.
Actors
such as Micheal Biehn and Linda Hamilton then proceed Schwarzenegger as the
letters’R’ and ‘E’ cross the background. They are framed inside the letters to
allow them to represent the coherent to the films storyline and
allow Schwarzenegger to has more prevalence in the opening title sequence. All
of the opening titles retain in the shot fro four seconds before disappearing into the side of the frame.
We also understand the sequence is coming to an end as we
finish on the most important part of the film; the director and
Cinematographer. The order of these shots allows the talent to be the key
interest at first and slowly move onto the main crew members. When we work
together to create our opening sequence we plan to use this as an influence as
to when the names of each crew/talent member come up.
The main title appears in front of us in the main reveal.
Brass and horns from an orchestra peak at the revealed as a glint crosses the
words allowing the audience to recognise that the words are made of a metal and
symbolise power and control. Cameron then allows the font to drive backwards at
speed, allowing us to realise that previous events have occurred and that we are
about to begin a new chapter in the film. The blue is more striking in this
shot and becomes more relevant in this shot, bringing into detail the light
that is hitting the top of the font and giving it an ominous glow.
Overall I have learnt that the blue is striking with the black background. This is positive news for us because we were intrigued into the concept of blue lighting and now feel more confident in the production process.









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